
On Saturday June 25, Jail Guitar Doors USA co-founder Margaret Saadi Kramer and I ventured out to Nevada for a Jail Guitar Doors event at the Northern Nevada Correctional Center. This is a facility just up the road from Nevada State Prison, near the town of Carson City, Nevada. Our host was Mary Harrison, who is a long-time corrections worker and director of the True Grit program there and a stellar human being. Mary’s work (with the support of Chesley Spring) with offenders and those returning to life outside the walls has been a major addition to the state of the art of corrections in this part of the country. Her efforts to move prison policy into the 21st century are a model for the rest of the nation. We like Mary — and our old friend and tireless liaison to her, Harry Duncan — A LOT.
We heard that the event might be canceled because of a of violent incident earlier that morning but fortunately prison officials decided against a lock-down and we were granted admission to the facility. It was a bright summer morning here in the high country. I think the sunshine’s a little brighter up at this altitude. We were nearly 5000 feet above sea level.
The institution looked like many of the modern post 1990 era construction. Prison architecture is fascinating to me. I am constantly astounded how human beings can design and build structures that are, by design, totally devoid of any human consideration whatsoever. The trend today is stark, austere, technologically sophisticated facilities that deprive inmates of sensory stimulation. These modern penal complexes are designed to enforce the understanding that you (as an offender living there) are completely without standing or value in this environment. That everything about this place is designed to control your every waking (and sleeping) hour. These futuristic concrete, steel and razor wire fortresses inform you that you are at the complete mercy of the state and that the state considers you less than human. I am amazed that the mind of man can create things of such amazing beauty and benefit, and can also produce something so utterly devoid of civilization and humanity. I would like to meet a prison architect and learn where he’s coming from.
After walking through the yard and over to one of the housing units, we met Warden Adam Watson. I liked him. We talked about the music program at NNCC and he admitted it was successful and of great benefit to both the men as well as the staff. Warden Watson also told me that they’re running safely under capacity. No overcrowding, yet. I was happy to hear this considering that my home state of California is 200% over capacity and is right now under Supreme Court Order to reduce the population to bring health care up to the minimum constitutional standards for human beings. In short, we treat our pets better.
Then, we all walked over to the gym where we were set to make our presentation of guitars, basses & amps. Usually, when JGD visits prisons, we meet a small group of inmates who are already involved in positive programming including drug and alcohol treatment, education, job training, etc. We were shocked when we entered the gym to see over 350 men sitting in bleachers waiting for the show to start. I was blown away. It seems that, at the last minute, the Warden thought this was something that might benefit the general population, so he let everyone in who wanted to attend and it was a full house.
As we figured out what to do first, and how to do it, I slowly realized what was happening here. There were at least seven complete bands on the yard and the prisoners were actively involved with all of them. The whole prison seemed to revolve around the different bands and all the different kinds of music they played. The event started with one of the two choirs singing, “I Have a Dream.” It was stunning. As they left the stage, it was moving to see a couple of prisoners helping one very old and infirm choir member back into his wheelchair. It revealed a degree of tenderness and kindness I don’t often see out here even in the free world.
Then the country group took the stage. They were led by a military veteran prisoner; also in a wheelchair. They had a great Texas swing in their sound and played versions of “America the Beautiful” and “This Ain’t My First Rodeo”. One of the fellows sang a terrific original song, “Bottles and Cans.” The musicianship was first rate and the lead guitarist was clearly a seasoned professional outside the walls. Next, I talked for a few minutes and presented the guitars with our challenge to use them as tools to learn new ways to process problems through songwriting. Then I had an honest Q &A with the guys. The questions are always straight from the heart and demanded serious consideration. There is no bullshitting a prison audience and I appreciate the opportunity to talk candidly. My memories of being in prison are still vivid and I often feel like these guys are some of the only people in the world who understand what I’m talking about.
I strapped on one of our donated JGD Stratocasters and got ready for an afternoon of serious jamming. I sat in with every band in the prison that day and for this player, it was great. I played with the hard charging punk rock band. Then with the rhythm & blues vocal group, who were so soulful I felt transported to a funky soul club gig back in Detroit.
Then, after a quick change of musicians, the NNCC blues band took the stage and played some down and dirty electric blues. Then, to my amazement, the Christian heavy metal band came on. The guys asked me if I could play in drop D tuning, which is one way metal music gets its heavy sound. The guys looked like they could have been in any heavy metal group touring right now and I loved rocking hard with them. Then the Tejano group came on and we played real Tex-Mex tunes with the lead singer singing in Spanish. Then the gospel vocal group had their turn.
The final turn was mine when I asked all the musicians to join me in a version of “I Shall Be Released.” I was really impressed by the level of competency displayed by all the players. Good musicians, not so good and very good were all represented and everyone worked together to make the best music they could. The audience loved every minute and cheered for everyone performing.
We wrapped up with handshakes and hugs from all the prison musicians and went back to the unit where we talked with some of the men there. Many of the men expressed deep gratitude for the visit and the instruments. These visits and guitars represent a message to men and women in prison that you are not forgotten and that there are people outside prison walls who care what happens to you and who want to help you rehabilitate.
The heart of the rehabilitation programs at NNCC is the True Grit program. This is an idea that Mary and her co-workers developed to aid the aging prisoner population at NNCC. They have started exercise classes for the older men along with other activities that suited them, like knitting.
I know that might sound odd, prisoners knitting, but it is a real challenge and accomplishment to knit something well and the men of True Grit actually knitted a giant afghan with the American eagle on it and the words “The Eagle Weeps.” Many of the men are military veterans and it was their way of saluting their fellows in the military. Being in prison doesn’t mean you aren’t still an American. Their afghan was entered in the Nevada State Fair knitting competition and won first prize! Then the shit hit the fan when it was discovered that prisoners created it. This is an example of the less-than-subtle ways prisoners are excluded from contributing something positive to society.
True Grit even has their own shop where they refurbish wheelchairs. They rebuild the prison’s wheelchairs, saving the state thousands of dollars in replacement costs. All of the True Grit programs are done with volunteer workers and donated materials. None of the yarn for the knitters or the instruments for the musicians costs the state a dime, but the benefits to the state and to the communities to which these men will return are immeasurable. By helping incarcerated people find activities that actually benefit them – as every Arts in Corrections program does — inmates learn to handle their problems in a new non-confrontational way. It is the beginning phase of the important work of rehabilitation.
The Warden told us that approximately half of the men in NNCC will go home one day and the other half will die there. This is a sobering reality and it begs the question: Why do we keep 70 or 80 year olds in custody? They are way beyond the time in their lives that they would or could hurt anyone. Their criminal careers are long gone by the time they reach 70. Studies show that even violent offenders “age-out” around 50 years old. They have usually spent most of their lives in custody and, by any reasonable measure, have paid their debt to society. The expense of their care in a correctional facility is many times the cost in a senior care facility in the free world. What is it in the American character that demands such revenge and retribution? There is no other modern developed country on earth that seems to pride itself on this level of severity. We are truly unique in our medieval approach to accountability.
The geriatric population is a problem that will have to be addressed within the larger disastrous social policy that prison has become in America. As we have locked up more and more people for longer and longer sentences, these folks are naturally aging. We are quickly moving towards a time when entire prisons will be filled with very, very old men and women who have long ago ceased being any danger to society and need increasingly intensive medical care. They will be men and women with little time left to live and who have been punished by a lifetime spent under lock and key. To quote my friend Ken Hartman, himself a man who has served over thirty consecutive years in California’s prisons, “Prison is a young mans game.” The issue of geriatric prisoners will not go away, just as the problem of two and a half million people locked up in America’s prisons will not just go away. I know it is not a pleasant conversation, but it’s one were going to have to encourage if things are ever going to turn around in this country.
Our experience at NNCC confirmed our belief that, given the tools and programs to change, most prisoners will gladly rehabilitate and work towards the day when they can rejoin their friends and families outside the walls, not to return to prison again. We saw an entire prison yard where music — not gang affiliation, not racism, not violence, but instead bands and music — was the primary activity and interest of a large percentage of the population. This was good for them and good for those of us who live outside prison walls to where most of these fellows will return one day as our neighbors and co-workers. We saw people of every age and race and culture working in harmony and the unifying force was music. It brought everyone together and it was beautiful.
Wayne Kramer, 7.10.2011
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